The emperor-painter, Hui-tsung or late Northern Sung, had left a significant remark on the fundamentals of pictorial realism of his time. In a court test, the emperor asked the academy painters to paint for the decoration of the palace walls. An 18-year-old anomynous painter won the favor of the aesthetically-critical emperor for his precise rendering of the look of a rose (rosa indica) in the midday of spring. The emperor demanded that the appearances of objects should elucidate the nature, the character, and the substance of themselves instantaneously. Such a demand signifies an elemental requirement in the aestheticism of Northern Sung knowledge of the subject. In this book, PAINTING BLOSSOM- ING TREES, Jia Pao-min, professor of Tien-tsin Academy of Fine Arts, demonstrates his adherence to this centuries-old principle, and, furthermore, his outstanding achievement in transforming knowledge into pictorial forms. Such a demand signifies an elemental requirement in the aestheticism of Northern Sung knowledge of the subject. In this book, PAINTING BLOSSOM- ING TREES, Jia Pao-min, professor of Tien-tsin Academy of Fine Arts, demonstrates his adherence to this centuries-old principle, and, furthermore, his outstanding achievement in transforming knowledge into pictorial forms....
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